Luigi eugene louis facciuto biography of william

Download as PDF Printable version. Musicality is key. On his own, Luigi started creating stretching exercises into a routine that helped him discover what had to be done to control his body. At the age of 10, he had an agent who got him a job with bandleader Ted Lewis as the shadow in Lewis's " Me and My Shadow ". Three months later, in , he was in a car accident that left him paralyzed on the right side of his body.

Robert Alton encouraged Luigi by saying, "You've got a great style, you should teach it," so Luigi started a "jazz class" in L. He stresses the importance of using the body properly, telling students to "Take your time - feel what you're doing. More Dance History. Courtney Escoyne. The New York Times. He went on to dance and assist choreographers Alex Romero, Onna White and Lee Scott, on three more Broadway shows before dedicating himself to sharing his dance method.

There is enough life experience in me to be able to call upon what is needed. After awakening months later from a coma , he was told by doctors that he would never walk again. He couldn't stop dancing, so he first learned to regain control of his body by what he uses as a cornerstone of his technique — namely, to "lengthen and stretch the body without strain" and "put the good side into the bad side".

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Luigi's Jazz Centre -- The Man

This job led to a long friendship, during which Kelly became Luigi's mentor and used him in his other films, such as Singin' in the Rain. The body should never stop moving. But the Ohio-born dancer rallied to recover and become a chorus staple. By standing still you learn what it feels like to be in the right position, and you keep this feeling when you dance.

Luigi eugene louis facciuto biography of william: Eugene Louis Faccuito (March 20,

The exercise routine he created for his own rehabilitation after a devastating accident became the world's first complete technique for learning jazz dance. But, if you keep doing things wrong long enough, they'll feel right -- wrong. Moving smoothly also prevents injuries. But when I left the barre, I was in trouble. Every part of the body should respond to an instrument playing in the music.

During the long waiting periods on film sets, Luigi did his own exercises to make sure his body remained limber and would not ruin "a take. But it was born from a career that almost never was: In , at 21, the dancer was left comatose and partially paralyzed in the wake of a car accident, two months to the day after his discharge from the U.

Faccuito developed the technique, which consists of a series of ballet -based exercises, for his rehabilitation after suffering paralyzing injuries in a car accident at the age of